TL;DR: Japan’s influencer marketing market was an estimated 86.0 billion yen in 2024, up 16%, with 164.5 billion yen forecast for 2029 (CyberBuzz and Digital InFact). LINE reaches 92.9% of people aged 13 to 79 and YouTube 81.5% (MIC, FY2025). In our survey, 46.76% of Instagram buyers searched for the product first. Every figure carries its source and date.
Last updated: 25 September 2026. Next scheduled review: December 2026.
Numbers about influencer marketing in Japan are easy to find and hard to trust. The same figure gets repeated without a source, market sizes built on different definitions get compared as if they measured the same thing, and platform user counts from 2019 get presented as current. If you are building a business case for a Japanese campaign, the case has to survive people who did not write it, so every number in it needs an origin and a date.

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Overseas brands welcome. We work in English, Japanese, Chinese, and Korean.This page is our reference for those numbers. It covers market size, platform reach, our own consumer surveys, the size of the creator economy, costs and enforcement of the disclosure rules. Each section answers one question per heading, gives the figure in the first sentence and puts the source and date next to it. For how these numbers translate into a campaign, our guide to influencer marketing in Japan is the companion piece.
Three rules apply to everything below. First, every figure has a source and a date, either in the same sentence or in the same table row, and the full list with links is in the methodology section at the end. Second, you are free to quote any figure here. Third, we review the page every quarter, in March, June, September and December, and record what changed.
If you cite a figure, please link to this page and, for third-party data, name the original publisher as well. A credit line you can copy:
Source: hotice, “Influencer Marketing in Japan: Statistics and Market Data”, hoticeglobal.com, updated September 2026.
CyberBuzz and Digital InFact ask that their market figures are credited as “Source: CyberBuzz / Digital InFact”. Figures on this page are the reference for the rest of hoticeglobal.com. The one exception is costs, where our cost guide is the reference and this page only points to it.
The standard reference for influencer marketing spend in Japan is the social media marketing market survey by CyberBuzz and Digital InFact. Its last three editions appeared in 2020, 2022 and 2024, and the 2024 edition, published on 7 November 2024, is still the latest as of September 2026. All market figures in this section come from it unless stated otherwise.
Japan’s influencer marketing market was an estimated 86.0 billion yen in 2024, according to CyberBuzz and Digital InFact’s survey published in November 2024. The survey defines it as the annual amount companies pay for influencers’ social media posts that promote their products and are disclosed as PR, counted as revenue of the influencers themselves or of companies that contract or employ them directly.
The table shows the survey’s full series. Figures for 2022 and 2023 are estimates of past spending, 2024 was the survey’s full-year outlook when it was published, and 2025 to 2029 are the survey’s forecasts.
| Year | Influencer marketing market (billion yen) | Change on previous year | Status |
|---|---|---|---|
| 2022 | 61.5 | Not applicable | Estimate |
| 2023 | 73.9 | +20% | Estimate |
| 2024 | 86.0 | +16% | Full-year outlook |
| 2025 | 99.5 | +16% | Forecast |
| 2026 | 115.0 | +16% | Forecast |
| 2027 | 130.5 | +13% | Forecast |
| 2028 | 147.0 | +13% | Forecast |
| 2029 | 164.5 | +12% | Forecast |
Source: CyberBuzz / Digital InFact, domestic social media marketing market survey, published 7 November 2024, fieldwork May to October 2024 through interviews with advertising, social media marketing and influencer marketing companies plus published data. The 2024 growth rate (116%) is stated in the release; the other year-on-year changes are our calculation from the published chart, rounded to whole percentages.
The market grew 16% in 2024, and CyberBuzz and Digital InFact forecast that it will be about 1.9 times its 2024 size by 2029, which works out to an average of roughly 14% a year (our calculation). These are the survey’s forecasts, not ours. Growth is uneven across platforms, and the split below shows where the forecast expects the money to go.
| Segment | 2024 (billion yen) | 2029 forecast (billion yen) | Growth to 2029 |
|---|---|---|---|
| YouTube | 28.0 | 40.5 | About 1.4 times |
| 26.0 | 57.0 | About 2.2 times | |
| TikTok | 17.5 | 43.0 | About 2.5 times |
| X | 13.5 | 21.0 | About 1.6 times |
| Other platforms | 1.0 | 3.0 | About 3 times |
| Short-form vertical video (across platforms, a subset of the total) | 24.6 | 63.6 | About 2.6 times |
Source: CyberBuzz / Digital InFact, published 7 November 2024. Short-form vertical video grew 37% in 2024, against 16% for influencer marketing as a whole. On the forecast, Instagram overtakes YouTube as the largest platform by spend in 2025 (31.0 against 30.5 billion yen), and TikTok passes YouTube in 2029. If your plan leans on YouTube because it leads today, note that the survey expects it to be third by the end of the period.
Influencer marketing is a small line inside Japanese advertising: at 86.0 billion yen in 2024, it was 7.1% of the 1.2038 trillion yen social media marketing market, most of which is paid social advertising. Dentsu’s national figures, a year later, show where that sits in the wider market.
| Measure | Value | Year | Source |
|---|---|---|---|
| Total advertising spend in Japan | 8.0623 trillion yen (+5.1%) | 2025 | Dentsu, March 2026 |
| Internet advertising | 4.0459 trillion yen, 50.2% of the total, the first time above half | 2025 | Dentsu, March 2026 |
| Internet advertising media spend (excluding production and e-commerce platform ads) | 3.3093 trillion yen (+11.8%) | 2025 | Dentsu and partners, March 2026 |
| Social advertising (within internet media spend) | 1.3067 trillion yen (+18.7%), 39.5% of internet media spend | 2025 | Dentsu and partners, March 2026 |
| Video advertising (within internet media spend) | 1.0275 trillion yen (+21.8%), the first year above 1 trillion yen | 2025 | Dentsu and partners, March 2026 |
| Social media marketing market | 1.2038 trillion yen (+13%) | 2024 | CyberBuzz / Digital InFact, November 2024 |
| Social media advertising within it | 1.0727 trillion yen, 89.1% | 2024 | CyberBuzz / Digital InFact, November 2024 |
| Influencer marketing within it | 86.0 billion yen, 7.1% | 2024 | CyberBuzz / Digital InFact, November 2024 |
The Dentsu and CyberBuzz figures use different definitions and years, so read across rows rather than dividing one by the other. We do not give Japan’s share of the global influencer marketing market. We could not find a primary global estimate built on a definition comparable to CyberBuzz’s, and dividing figures measured in different ways would produce a precise-looking number that means little. Our article on the influencer marketing market in Japan discusses what drives the forecast.
Two government surveys and the platforms’ own announcements are the defensible sources for reach. Third-party compilations that do not name a measurement date are left out.
82.3% of internet users in Japan aged six and over used social media in 2025, according to the Ministry of Internal Affairs and Communications (MIC) Communications Usage Trend Survey, measured at the end of August 2025 and published on 29 May 2026. The government publishes a share, not a headcount, and its definition includes messaging services such as LINE. Use falls with age but stays above half even among people aged 80 and over.
| Age group | Share of internet users using social media, 2025 |
|---|---|
| All ages (6 and over) | 82.3% |
| 6 to 12 | 42.8% |
| 13 to 19 | 92.9% |
| 20 to 29 | 93.1% |
| 30 to 39 | 90.6% |
| 40 to 49 | 91.3% |
| 50 to 59 | 86.4% |
| 60 to 69 | 78.3% |
| 70 to 79 | 67.9% |
| 80 and over | 54.3% |
Source: MIC, 2025 Communications Usage Trend Survey (household member survey, n=34,322 internet users), published 29 May 2026.
LINE is the largest platform in Japan, with 100 million monthly users at the end of December 2025 according to LY Corporation, followed by YouTube with more than 73.7 million users aged 18 and over (Nielsen data for May 2024, cited by Google). The platforms publish these numbers on their own schedules and definitions, so the table gives each one’s date and adds the government usage rate as a consistent comparison.
| Platform | Monthly users in Japan | As of | Published by | Usage rate, ages 13 to 79 (MIC FY2025) |
|---|---|---|---|---|
| LINE | 100 million | December 2025 | LY Corporation | 92.9% |
| YouTube | More than 73.7 million users aged 18 and over (Nielsen) | May 2024 | Google Japan (published October 2024) | 81.5% |
| X | 68 million | Stated in May 2025; no measurement date given | X Corp. Japan’s representative director, speaking at an industry conference | 44.7% |
| No current figure we could verify | Not applicable | Meta does not report Japanese users in its published results | 54.8% | |
| TikTok | About 49.5 million (TikTok and TikTok Lite combined) | End of May 2026 | TikTok Japan | 36.7% |
| 26 million | July 2019, the latest company figure we could find | Facebook Japan’s then representative director, in a press interview | 27.0% |
The usage rates come from MIC’s FY2025 Survey on Usage Time and Information Behaviour of Information and Communications Media, fielded on 1 to 7 December 2025 with 1,800 people aged 13 to 79 and published in June 2026. The X and Facebook figures were given in a conference talk and a press interview rather than in a company report, and the Facebook figure is more than seven years old, so neither should be presented as a current audited count. For comparisons across platforms, use the MIC column. Our guide to social media in Japan explains what each platform is used for.
Instagram peaks among people in their twenties at 82.6%, TikTok among teens at 67.9%, and Facebook among people in their forties at 38.9%, according to MIC’s FY2025 survey. Two results differ from what overseas teams tend to assume: TikTok reaches more than 40% of people in their thirties and forties, and Facebook is a thirties and forties platform rather than a seniors’ platform.
| Platform | All | Teens | 20s | 30s | 40s | 50s | 60s | 70s |
|---|---|---|---|---|---|---|---|---|
| LINE | 92.9% | 96.4% | 97.7% | 97.9% | 96.6% | 95.6% | 92.0% | 77.8% |
| YouTube | 81.5% | 95.0% | 96.3% | 94.0% | 91.6% | 84.9% | 72.6% | 48.5% |
| 54.8% | 69.3% | 82.6% | 76.6% | 67.1% | 54.4% | 36.1% | 15.8% | |
| X | 44.7% | 56.4% | 73.4% | 67.7% | 57.0% | 40.2% | 24.8% | 10.8% |
| TikTok | 36.7% | 67.9% | 61.5% | 44.7% | 42.6% | 32.2% | 21.2% | 11.1% |
| 27.0% | 14.3% | 23.4% | 37.4% | 38.9% | 33.1% | 22.6% | 12.5% |
Source: MIC FY2025 survey, n=1,800 aged 13 to 79, published June 2026. Gender matters too: 63.4% of women use Instagram against 46.2% of men, and 41.7% of women use TikTok against 31.8% of men. Our TikTok in Japan guide compares the TikTok age curve with the United States.
The sections above use other organisations’ data. This one uses ours. hotice has published four consumer surveys on Instagram and TikTok and one survey of companies, and the table below states what each report discloses about how it was run. Where a report does not state the fieldwork period or the method, we say so rather than fill the gap. Treat these as indicative surveys, not as probability samples of the Japanese population.
| Survey | Respondents (n) | Fieldwork | Method | Who was asked | Published |
|---|---|---|---|---|---|
| Instagram usage | 534 (427 users answered follow-up questions) | January 2026 | Not disclosed | People in Japan, teens to 70 and over, including non-users | February 2026 |
| TikTok usage | 528 (431 users answered follow-up questions) | Not disclosed | Not disclosed | People in Japan, teens to 70 and over, including non-users | February 2026 |
| Instagram purchasing behaviour | 636 (432 who had bought something answered follow-up questions) | Not disclosed | Not disclosed | Instagram users in Japan | February 2026 |
| TikTok purchasing behaviour | 631 (400 who had bought something answered follow-up questions) | Not disclosed | Not disclosed | TikTok users in Japan | February 2026 |
| Company survey, with RASA JAPAN | 102 companies | Not disclosed | Not disclosed | Japanese companies across IT, food, manufacturing, fashion and other sectors | June 2025 |
The company survey describes the other side of the market. In it, 28.4% of companies rated their influencer marketing as highly effective and 51.0% said they felt some impact. The most common goal was brand recognition (57.8%), followed by sales (46.1%) and hiring and employer branding (40.2%). YouTube was the most used platform (59.8%), brand and audience affinity was the top selection criterion (53.9%), and only 7.8% measured success by conversions. Among the 21 companies that reported difficulties, the most common was creators not understanding the product (42.9%).
About one in four Instagram users (25.76%) and one in five TikTok users (21.11%) open the app partly to search for or consider products, according to our January 2026 Instagram survey (n=427 users) and our TikTok usage survey (n=431 users). Discovery mostly happens inside other habits: killing time is the top reason on both, and people follow creators far more than brands.
| Finding | TikTok | |
|---|---|---|
| Use the app almost every day (all respondents) | 41.95% | 52.84% |
| Use it to kill time | 49.41% | 56.84% |
| Use it to check trends and fashion | 33.49% | 34.11% |
| Use it to search for or consider products and services | 25.76% | 21.11% |
| Follow celebrities | 42.39% | 40.60% |
| Follow influencers | 37.94% | 36.89% |
| Follow official company or brand accounts | 26.00% | 19.26% |
Source: hotice Instagram usage survey (n=534, users n=427) and TikTok usage survey (n=528, users n=431), published February 2026. Multiple answers were allowed for reasons and follows. On Instagram, about half of teens and people in their twenties follow influencers. On TikTok, 18.33% say they do not follow many accounts, so a creator’s reach there depends more on the recommendation feed than on follower count.
Short summaries and honesty about drawbacks are the top triggers: 41.50% of TikTok buyers named a video under one minute that sums up the product, and 37.50% of Instagram buyers named creators who mention the product’s flaws, according to our February 2026 purchasing surveys. Before buying, most people check elsewhere: 46.76% of Instagram buyers and 44.75% of TikTok buyers searched the product or brand name on a search engine.
| What pushed the purchase | Instagram buyers (n=432) | TikTok buyers (n=400) |
|---|---|---|
| A video under one minute that sums up the product | 37.04% | 41.50% |
| The creator honestly mentions drawbacks | 37.50% | 35.00% |
| Many saves and likes on the post | 34.49% | 36.25% |
| Limited-time offers or social media coupons | 28.47% | 26.25% |
| Seeing influencers or celebrities use it in daily life | 27.55% | 21.00% |
| Detailed explanation from experts or the official brand | 23.38% | 27.25% |
Source: hotice Instagram purchasing survey (n=636) and TikTok purchasing survey (n=631), published February 2026; multiple answers. Neither survey asked how long people took between seeing a post and buying, so we have no figure for time to purchase. For influencer posts specifically, a separate hotice survey of 149 social media users, published in September 2025, found that 68.7% had bought a product or service after seeing an influencer’s post.
The clear difference is in use, not in buying: 52.84% of TikTok respondents open the app almost every day against 41.95% on Instagram, and TikTok users spend longer in it. Buying behaviour is close on both. 45.17% of TikTok respondents buy through the app at least monthly against 40.88% on Instagram, 18.25% of TikTok buyers bought on the spot against 16.44%, and gaps of that size are within what two samples of about 400 to 630 people can produce by chance. We built this comparison from the figures in the four reports, not from a new run of the raw data, and it has not been published before.
| Measure | TikTok | |
|---|---|---|
| Use almost every day | 41.95% | 52.84% |
| Users spending under one hour on a day they use it | 85.71% | 72.40% |
| Have bought something after seeing content | 67.92% (432 of 636) | 63.39% (400 of 631) |
| Buy at least once a month | 40.88% | 45.17% |
| Searched on a search engine before buying | 46.76% | 44.75% |
| Checked the official site or a major retailer such as Amazon | 40.05% | 39.50% |
| Saved the post to consider later | 32.64% | 33.25% |
| Looked for user reviews through hashtags | 28.94% | 26.50% |
| Visited a shop to see the item | 27.31% | 26.50% |
| Bought on the spot | 16.44% | 18.25% |
| Top trigger | Honest mention of drawbacks (37.50%) | Summary video under one minute (41.50%) |
| Top category bought | Household goods and interior (31.02%) | Food and drink (33.00%) |
| Typical spend under 5,000 yen per purchase | 83.10% | 85.25% |
hotice is a cross-border influencer marketing agency helping overseas brands enter Japan. We handle casting, negotiation, Japanese-language contracts, and ad-disclosure compliance.
Tell us your category, budget range, and timing. We will take it from there.Sources: the four hotice consumer surveys listed above. Daily use, ever-bought and monthly buying are shares of all respondents; time spent is a share of users; the rows from searching on a search engine to typical spend are shares of buyers only. Monthly buying, ever-bought and under-5,000-yen shares are our sums of the published answer categories. The Instagram report does not say whether time spent is per day, so treat that row as approximate. The practical reading is the same for both platforms: close to half of buyers search for the product before they buy, so check what a search for your brand name returns in Japanese before a campaign goes live.
This is the area with the least reliable data. Market surveys measure what companies spend, not how many creators receive it, and platforms count creators by their own definitions.
There is no official statistic for the number of influencers in Japan. No ministry or industry body counts them, and figures that circulate without a source should not be cited. The closest published reference point is platform-specific: a report commissioned by TikTok Japan estimated that 2.35 million people in Japan created content on TikTok in 2025. It is a survey-based estimate (Macromill), not an account count, and it covers anyone creating content, not only creators who work with brands. For planning, the headcount matters less than how creators are reached. Many established Japanese creators work through a talent office or a multi-channel network, so the practical question is which office or agency represents the creators you want, not how many creators exist.
hotice uses five tiers based on followers on the creator’s main platform: nano (1,000 to 10,000), micro (10,000 to 100,000), mid-tier (100,000 to 500,000), macro (500,000 to 1,000,000) and mega (over 1,000,000). This table is the definition used across hoticeglobal.com, including our cost guide. Other agencies draw the lines differently, especially above 100,000 followers, so check the definition before comparing tier-based figures from different sources.
| Tier | Followers | Typical role in a campaign |
|---|---|---|
| Nano | 1,000 to 10,000 | Product seeding, reviews and user-generated content at volume |
| Micro | 10,000 to 100,000 | Trust and conversion inside a niche; the core of most first campaigns |
| Mid-tier | 100,000 to 500,000 | The anchor creator of a typical brand campaign |
| Macro | 500,000 to 1,000,000 | Broad reach; usually booked through a talent office |
| Mega | Over 1,000,000 | Launch-scale reach, negotiated like a celebrity endorsement |
Creator rates vary by creator and change faster than market data, so this page does not list them. Our cost guide gives reference rates by follower tier and platform, set at the upper end of ranges published by Japanese agencies, and it is the reference for costs across hoticeglobal.com.
The cost depends on the creators’ tier and platform plus four other components, and rates vary widely, so our guide to influencer marketing costs in Japan gives reference rates, explains how each cost line is built and shows what moves a quote. The table shows what a Japanese quote is built from, so that you can compare quotes line by line.
| Cost component | What moves it |
|---|---|
| Creator fees | Tier, platform, format (video costs more than a static post), engagement and category expertise |
| Agency or talent office fees | Scope of work, number of creators, length of the engagement |
| Product, sampling and shipping | Product value, number of creators, international freight and duties |
| Secondary usage rights | Reusing creator content in ads or on your own channels, period and media |
| Compliance checks | Disclosure review and, in regulated categories such as cosmetics and supplements, claim review |
The Consumer Affairs Agency publishes the name of every company it orders to stop undisclosed advertising, so enforcement can be counted exactly. This section keeps to dates and counts; the full explanation is in our dedicated guide.
Since the rule took effect on 1 October 2023, the Consumer Affairs Agency (CAA) has issued cease-and-desist orders (sochi meirei) to eight businesses for stealth marketing in seven announcements, the first on 6 June 2024, by our count of its published releases as of 25 September 2026. Undisclosed advertising is treated as a misleading representation under the Act against Unjustifiable Premiums and Misleading Representations. The responsibility for disclosure lies with the advertiser, not the influencer.
| Date of order | Business | What the CAA found |
|---|---|---|
| 6 June 2024 | Yushinkai medical corporation (a clinic in Tokyo) | Four- and five-star Google Maps reviews that patients posted in return for a discount on flu vaccinations |
| 8 August 2024 | RIZAP (chocoZAP gyms) | Requested Instagram posts quoted on its website without disclosure; the order also covered misleading claims |
| 13 November 2024 | Taisho Pharmaceutical (NMN taisho supplement) | Instagram posts it had obtained with free product and payment, quoted on its website |
| 17 March 2025 | Smile Square medical corporation (orthodontic clinic) | Five-star Google Maps reviews that patients posted in return for a 5,000 yen gift card or treatment discount |
| 25 March 2025 | Rohto Pharmaceutical (Rohto V5 supplement) | Instagram posts requested through a product-monitor site, quoted on its website |
| 29 June 2026 | Takamitsu Pharmaceutical (Nobirun foods) | Social media posts it had requested in return for free product, quoted on its website |
| 6 August 2026 | Snow Corporation (South Korea) and SNOW Japan (SNOW app) | Paid posts on X, following the Japanese subsidiary’s instructions |
Source: CAA press releases (links in the methodology section). In FY2025 (April 2025 to March 2026) the CAA issued no stealth marketing orders but approved four commitment plans and gave seven cases of guidance, according to its annual enforcement report. Prefectures enforce the rule too: on 28 March 2025 the Tokyo Metropolitan Government announced the first order by a local government under the stealth marketing rule, against a seller of a diet food that quoted paid influencer posts from Instagram on its own website. The SNOW case is worth noting for overseas brands, because the order named the Korean parent as well as its Japanese subsidiary. Our guide to Japan’s stealth marketing regulation explains what counts as advertising and how to label it.
Japan’s influencer marketing market was an estimated 86.0 billion yen in 2024, up 16% on 2023, according to the CyberBuzz and Digital InFact survey published in November 2024. The same survey forecasts 164.5 billion yen in 2029, about 1.9 times the 2024 level. Larger figures that circulate often describe the whole social media marketing market, which the survey put at 1.2038 trillion yen in 2024, most of it paid social advertising. No newer edition had been published as of September 2026. The year-by-year series is in the market size section above.
The Japanese government publishes a share rather than a headcount: 82.3% of internet users aged six and over used social media in 2025, according to MIC’s Communications Usage Trend Survey, measured at the end of August 2025 and published in May 2026. Its definition includes messaging services such as LINE. Use is above 90% among internet users from their teens to their forties and still above half among people aged 80 and over. The largest single platform, LINE, reported 100 million monthly users in Japan at the end of December 2025.
LINE, followed by YouTube. LINE reported 100 million monthly users in Japan at the end of December 2025, and MIC’s FY2025 survey puts its usage at 92.9% of people aged 13 to 79. YouTube reaches 81.5% on the same survey, and Google Japan reported more than 73.7 million users aged 18 and over in May 2024. Instagram (54.8%), X (44.7%), TikTok (36.7%) and Facebook (27.0%) follow. LINE works mainly as a messaging and customer relationship channel, so for creator content YouTube, Instagram and TikTok usually matter more.
There is no official count: no Japanese ministry or industry body measures the number of influencers. The nearest published reference point is platform-specific. A report commissioned by TikTok Japan estimated that 2.35 million people in Japan created content on TikTok in 2025, a survey-based estimate that is not limited to creators who work with brands. In practice, many established Japanese creators work through a talent office or a multi-channel network, so the useful planning question is who represents the creators you need, not how many exist.
In a hotice survey of 149 social media users in Japan, published in September 2025, 68.7% said they had bought a product or service after seeing an influencer’s post. Our February 2026 platform surveys point the same way: 67.92% of Instagram respondents (432 of 636) and 63.39% of TikTok respondents (400 of 631) had bought something after seeing content on the app. Many checked before buying: 46.76% of Instagram buyers searched the product before buying, and only 16.44% bought on the spot. Fieldwork methods for these surveys are not published.
Yes. Spending grew 16% in 2024 to an estimated 86.0 billion yen, and CyberBuzz and Digital InFact forecast 164.5 billion yen by 2029, an average of roughly 14% a year by our calculation. The fastest-growing format is short-form vertical video, up 37% in 2024 and forecast to grow about 2.6 times by 2029. By platform, the forecast has Instagram and TikTok more than doubling while YouTube grows about 1.4 times. In Dentsu’s internet advertising figures, social advertising grew 18.7% in 2025, to 1.3067 trillion yen.
Market figures come from CyberBuzz and Digital InFact and from Dentsu. Reach figures come from two Ministry of Internal Affairs and Communications surveys and from the platforms’ own announcements. Enforcement figures come from the Consumer Affairs Agency. Consumer behaviour figures come from hotice’s own surveys, whose sample sizes are stated and whose fieldwork methods are not published. Every source, with its date and link, is listed in the methodology table below. To cite this page, use: “Source: hotice, Influencer Marketing in Japan: Statistics and Market Data, hoticeglobal.com, updated September 2026.”
This is the single list of sources for this page. Each figure was checked against its original source on 25 September 2026. “Next update” is the publisher’s usual cycle, not an announced date.
| Figure | Source | Publisher | As of | Next update |
|---|---|---|---|---|
| Influencer and social media marketing markets, 2022 to 2029 | Market survey release (Japanese) | CyberBuzz / Digital InFact | Published 7 November 2024 | Every two years so far; not yet announced |
| Total, internet and internet media ad spend | Advertising Expenditures in Japan 2025 (Japanese) | Dentsu | 2025, published 5 March 2026 | Annual, usually March |
| Social and video advertising | Internet ad media spend detailed analysis (Japanese) | CARTA HOLDINGS, Dentsu, Dentsu Digital, Septeni | 2025, published 5 March 2026 | Annual, usually March |
| Social media use among internet users, by age | Communications Usage Trend Survey 2025 (Japanese PDF) | MIC | End of August 2025, published 29 May 2026 | Annual, usually May or June |
| Platform usage rates by age and gender | FY2025 media usage survey summary (Japanese PDF) | MIC Institute for Information and Communications Policy | Fielded 1 to 7 December 2025, published June 2026 | Annual, usually June |
| LINE 100 million monthly users | LY Corporation release (Japanese) | LY Corporation | End of December 2025 | Irregular |
| YouTube 73.7 million users aged 18 and over | Think with Google (Japanese) | Google Japan | May 2024, announced October 2024 | Irregular |
| X 68 million monthly users | Talk by X Corp. Japan’s representative director at Web Tan Forum Meeting 2025 Spring, event report (Japanese) | X Corp. Japan, reported by Impress Web Tan Forum | Stated May 2025, reported 10 July 2025 | Irregular |
| TikTok about 49.5 million monthly users; 2.35 million creators | TikTok Japan release (Japanese) | TikTok Japan | End of May 2026, published 9 June 2026 | Irregular |
| Facebook 26 million monthly users | Interview with Facebook Japan’s representative director (Japanese) | Facebook Japan, reported by CNET Japan | Published 8 July 2019 | None found since |
| Stealth marketing orders | CAA releases for Yushinkai, RIZAP, Taisho, Smile Square, Rohto, Takamitsu, SNOW; FY2025 enforcement report; Tokyo Metropolitan Government (all Japanese) | Consumer Affairs Agency; Tokyo Metropolitan Government | Checked 25 September 2026 | As issued; annual report in late May |
| Consumer survey figures | The four hotice survey reports linked in the survey table, and the AI content survey (n=149) | hotice | Published February 2026 and September 2025 | Not scheduled |
| Company survey figures | Survey of 102 companies | hotice with RASA JAPAN | Published June 2025 | Not scheduled |
Our own surveys are described in the survey table above. The TikTok purchasing report’s headline gives 636 respondents while its body and percentages use 631; we use 631.
Update policy: we review this page every quarter, in March, June, September and December, and whenever a source in the table publishes a new edition. Other articles on hoticeglobal.com take their figures from this page; the one exception is costs, where our cost guide holds the reference rates.
Update history: July 2026, rebuilt with sourced market, advertising and platform data and our company survey. September 2026, restructured into question-led sections; platform usage moved to MIC’s FY2025 survey and the 2025 communications survey; Dentsu social and video advertising, the four consumer surveys, the Instagram and TikTok comparison, the tier definitions and the enforcement list added.
Last updated: September 2026.
If you are comparing partners to run a campaign, our overview of influencer marketing agencies in Japan sets out how they differ.
Supervised by the hotice Editorial Team, specialists in helping global brands enter the Japanese and Asian markets through influencer marketing. Last updated: September 2026.

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